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An Interview With China Photojournalist Tom Carter
Thomas Carter of San Francisco
American photo-journalist Tom Carter has spent the past four years in the People’s Republic of China, traversing all 33 provinces and autonomous regions not just once but twice. The San Francisco native’s hardback book, a definitive 800-image volume aptly entitled CHINA: Portrait of a People, is due out from Hong Kong publisher Blacksmith Books. Tom took a day off from travelling to discuss the challenges of taking pictures in China, how he evaded censorship in the tightly-controlled republic, and to share a few insider tips on visiting what is to become the world’s largest tourism market.
Your upcoming book focuses heavily on photographs of people, from peasants to punk rockers, ethnic groups to entrepreneurs. As a lone foreigner in a faraway country, how did you approach so many strangers, let alone become intimate enough with them to take their portraits?
Most of my photos came about as a natural result of my curiosity and interaction with Chinese people during my travels. It wasn’t until the end of my trip that I thought about compiling them into a book. This is a tribute to all the people I met along the way.
For the portraits, it just takes a sincere interest in your subjects to get that close. I don’t believe in hiding behind a zoom lens; I was actually as near to all those people as you see in the pictures, sometimes just inches away. The candid life shots, which comprise a good third of the book, were actually more of a challenge. As a foreigner walking down the street in China, all activity stops the moment you are seen, so it’s tricky to photograph life before life stops to stare at you.
I don’t believe any
book can capture the true spirit of a country with only pictures of places. Sure, a photo of a sunset over the Great Wall is nice, but what do you really learn from it? I wanted to show the people, and dispel the stereotype of the Chinese as a homogeneous single nationality.
You must speak the language pretty well.
That’s the very first question I always get from other expats I meet in China ! It humbles me to admit that my Putonghua borders on offensively poor. I taught English when I first arrived in China, which left me no time to formally study Mandarin. I picked up my entire vocabulary while travelling. I call it Survival Chinese. I can communicate, but I’m usually left out of the gossiping granny circles. A friendly smile works well when all else fails. I might add, though, that Chinese dialects vary widely by province, so even most nationals have trouble understanding other Chinese outside their own hometowns.
You say you came to China as an English teacher, but four years later you’re a published photojournalist and author. Did you plan this career move?
Never, but that’s China for you, a real land of opportunity. Teaching was just a means to an end, which was travelling. Out of that first long year on the road sprung my collection of photos, which resulted in a book contract and travel assignments from various periodicals, which brought me full circle back to my second spin around China. I believe I stand apart from my contemporaries in that I’m not sitting around a cushy foreign correspondents’ club “networking” [makes mock quotes with his fingers] and waiting for my next assignment; I’m out on the road finding my own. But maybe that’s why Reuters still hasn’t called me.
You’ve had a few run-ins with Chinese censorship of your images and articles. Care to share?
The concept of Freedom of the Press, something the west takes for granted, is still entirely alien in Communist China . The media is state-run and every single word and image that comes in and out of the country needs to be approved by the Ministry of Information. Crazy, huh? But since I’m an independent freelancer without the backing of any news agency, I lack official journalist credentials. Most of my images I’ve had to get the hard way, which has often resulted in confrontations with local authorities who view foreign correspondents as a threat. 
For example, for the three single frames of coal miners with soot-covered faces that appear in this book, I and my Chinese travelling companion had to spend several days in the mountains of South Shanxi before we were able to sneak into a coal mine, grab a few shots then get the hell out before being caught. Mining is one of the most dangerous and controversial occupations in China, and is entirely off limits to journalists.  Some of my best photos are hit-and-run like that.
There’s one incident in particular I want to hear about: a peasant riot that you photographed and which almost got you arrested. Tell us about that.
To be caught up in a proletarian uprising – something both foreign and Chinese reporters in China rarely even hear about, due to rapid suppression of information, let alone eye-witness – was extremely frightening but probably one of the book’s most powerful images. I was subsequently “implored” by the local police to hand over all my photos, under penalty of incarceration, but a couple have managed to slip into the book [winks mischievously]. I’m still in China and would like to be able to leave without a trip to the clink, so it’s not something I can talk about in further detail, nor can we make the photo public until the book is on the shelves.
Guerilla-style documentary photography is something you are obviously proud of. Someone said you have “turned mundane daily life in China into a work of art” but one reviewer wrote that your photographs are “an assault on ordinary people who should be left alone.” What’s your take on such extreme responses?
Which one was the criticism? [Laughs] Actually, I prefer the term ‘street photography’, because that’s exactly what I do. I’m out pounding the pavement from 6am to 6pm every day, learning about the culture through observation and interaction. Many photojournalists cover their assignments as quickly as possible so they can remove themselves from the elements, but I revel in the elements. I don’t have any technical or artistic preconceptions to my photos. The whole idea of spending an hour setting up a shot and then photoshopping it to death afterwards is not what I’m about. I just capture life as it is, then move on. If the picture turns out crooked, so what! Life is crooked!
I have no desire to make something palatable, even if it means not getting on Getty. On the other hand, any of my photos that are considered beautiful I credit entirely to my subjects. They are the ones who deserve the compliments.
Tom Carter
China really is a vast country to explore, and you have been to every corner of it – 33 provinces and over 200 cities and villages. Travelling for a living sounds like a life of leisure, but what’s the reality?
You know, forall the tourism I’ve promoted for China with my photos and travel articles, you’d think the CNTA [China National Tourism Administration] could at least have comped my hotels. But the truth is I’ve never received a cent in financial backing. During the two years I spent travelling across China, I slept in 15 RMB [2 USD] flophouses with particleboard walls – which are illegal for foreigners to stay in – with the occasional youth hostel or night on a bus station floor. I taught English for two straight years beforehand so I could save up to travel, and I really had to pinch my pennies to make it last. The upside is that my insolvency resulted in experiences that staying at the Sheraton could never produce.
All travellers are running away from something. What’s your excuse?
I come from a long line of nomads – my mother a Danish immigrant of good Viking stock and my father a hybrid Panamanian-Cuban-Italian – so drifting is in my blood. It’s my dream to travel the world, take pictures and write about it. I have no intention of succumbing to that thirtysomething syndrome of settling down. The world is my home.
So what day-to-day difficulties did you encounter during your marathon journey across China?
You mean hour-to-hour difficulties. My photos might excite a lot of potential tourists, but I’m not going to sugar-coat the reality of actually travelling in China. The consensus among backpackers is that China is probably the single most challenging country in the world to navigate. Aside from the obvious language barriers, you have 5,000-year old customs and extreme cultural differences that can be quite vexing for the typical westerner. Most of these nuances are not something that you can catch on film; travellers have to discover them for themselves, and that’s part of the fun.
What keeps you going?
I delight in the challenges that a country like China poses to westerners. Sure, I occasionally catch myself pounding the wall in frustration, but the thing about the PRC is that every turn is a new adventure. For me there’s nothing worse than being bored, and boredom is just not possible in China. See these lines on my face? They weren’t there before.
How did you plan your routes?
I haven’t planned a single route since I arrived in China four years ago. I just point myself in a direction, then let life carry me on its current. Not only does every Chinese person you ask where to go have an excitedly different opinion – even about which way is north – but there are so many undiscovered villages that are off the charts. Not to mention that the time it takes to get to these places is often days longer than how it appears on a map, making an itinerary kind of pointless.
Tell us more about surprises along the way, and any dangerous situations you’ve been in.
Surprises are the rule, not the exception. In addition to clashes with the authorities over my pictures, I’ve had everything from a near-lethal bout of encephalitis during my first year in China, to getting shanghaied by crooked English schools, which I wrote about for the Wall Street Journal. One of my favourites is the time I found myself at the business end of a North Korean machine gun when I accidentally crossed into the DPRK at Changbaishan. These are all stories I can laugh about now, though my mother doesn’t think so.
It’s said that China is now undergoing the most prolonged period of sustained change in history. How has it changed since you have lived there, and how will it change in the near future?
I think China’s most dramatic changes have been brought on by itself and that the now-clichéd term “New China” was something methodically planned out in their boardrooms. The Chinese government is addicted to what I call hyper-urbanization. You’ve got historic cities like Beijing, where they are bulldozing these ancient hutongs by the hour so they can build office towers, or the 2,000-year-old village of Gongtan in Chongqing that is going to be levelled this summer for a new power plant. I wrote an article about Gongtan for a local magazine but it was quickly quashed because the censorship bureau said “We don’t want to bring any attention to that place.” These contrasts in architecture appear in my book because I feel it is imperative to capture this last glimpse of China’s old slate rooftops before the skyline becomes pure steel and glass. CHINA : Portrait of a People will probably become a history book, something Chinese people will look at twenty years from now and say “Ah yes, I remember.”
It seems like everyone wants to know more about China these days. Do you see more people planning on visiting the country?
China will become the world’s largest tourism destination of the next decade, no doubt about it. The 2008 Beijing Olympics and Shanghai’s World Expo in 2010 are expected to attract between 50 to 100 million tourists annually. China’s doors were closed for so long that it’s only natural the world is curious about what’s behind them. What the pictures in Portrait of a People are doing is fuelling this curiosity by offering an intimate glimpse of humanity in China, and scenes of daily life that even publications like National Geographic overlook.
You’re something of an authority now on Chinese travel. Can you offer any tips for travellers?
Well, what China wants tourists to see is often at variance with what is actually marvellous about the country. You’ve got these highly-sheltered tour group packages that cover the Forbidden City in Beijing, the Terracotta Warriors in Shaanxi, a boat ride on the Yangtze and shopping in Shanghai [makes yawning noise]. Or you can remove yourself from the souvenir shops and luxury hotels, get a local street map and travel on word-of-mouth. Lonely Planet would go bankrupt if people actually took my travel advice, but you definitely see more of the real China my way.
Finally, what’s next for someone who’s been everywhere in China?
My publisher and I have been talking about taking the “Portrait of a People” concept to other countries in the region. I would jump at the chance. So I have no idea where I’ll be this time next year.
Tom Carter 's travel articles and pictures have appeared in every major English-language periodical in China. He is available for interview by phone or email.
Further Information: Pete Spurrier at Blacksmith Books – (+852) 2877 7899 – pete@blacksmithbooks.com

Purchase CHINA: Portrait of a People online
View the China portraits video on YouTube
Also check out Tom Carter's super-cool China postcards

Add Tom Carter to your Facebook Tom Carter's Facebook profile

 

October 2, 2008

Gongtan R.I.P.

China is Destroying Itself, by Tom Carter

Gongtan, Chongqing, China by Tom Carter  

In four months or less, a 1,700-year-old village, and the mountain life it preserves, will see water seep through the ancient wood homes, rising higher and higher, until it is completely submerged beneath the jade shoals of the Wu River.

Gongtan of the Youyang Tujia-Miao Autonomous County in southeast Chongqing will unfortunately meet the same fate as countless other unprotected historical sites across China being leveled in the name of innovation.

In its place, the Pengshui Hydro Power Plant will be resurrected, not exactly an attractive replacement for the antiquated beauty of Gongtan, but nonetheless a much-needed jolt for a municipality suffering from regular power outages.

Controversial waterworks are nothing new to Chongqing, the largest inland river port in West China. The Three Gorges Dam project along the Yangtze, one of China’s crucial transportation arteries linking the country’s interior with coastal provinces, is essential to the region’s freight and power industries, but as a result saw numerous small towns and nature reserves sacrificed to the river gods.

Now, one of the Yangtze’s chief tributaries, the Wu River, has also been targeted for its hydro-electrical attributes, sparing neither nature nor culture to ensure that all of Chongqing’s neon lights continue to glow brightly.

Ironically, Gongtan has never known neon and was only recently introduced to electricity. For centuries accessible only by boat, Gongtan is home to the Tujia people, one of China’s more isolated ethnic minorities who hale from the surrounding Wuling Mountains.

Founded in 200 A.D., the rustic village is a living museum that might seem more destined as a World Heritage Site than a construction site. Designed entirely out of stone and wood in the diaojiaolou-style stilt architecture, the Ming dynasty-era homes are perched against the sloping gorge, facing the sheer, misty palisades which flank the Wu rapids.

Steep, mossy steps lead up from the rocky banks and a single, black flagstone path, polished from centuries of footsteps, traces the 2 kilometer length of the quiet village, a veritable portrait of mountain life as it has been for almost 2,000 years. The slat-wood buildings progress vertically, each offering an increasingly attractive panoramic vista of slate rooftops, the hallmark site of this ancient village.

Unfortunately, the intricately carved work of art that is Gongtan will soon be thrown together in a fateful pyre as the Tujia populous move several kilometers upriver to a white-tiled eyesore already suffering from the noise, pollution and congestion indicative of so many new side-of-the-road Chinese communities.

The land expropriation was in fact opposed by Gongtan residents, who successfully petitioned the central government in Beijing over the property confiscation and were awarded financial compensation for their centuries-old homes. Nonetheless, many Gongtan villagers still refuse to evacuate the aged neighborhood, thus delaying power plant construction until at least the fall of 2007.

This last-ditch effort to damn the dam is of course no match for the bulldozers, but it at least leaves an extended window of opportunity for travelers with an affinity for Chinese history to catch one last glimpse of the real deal before Gongtan is inevitably sent to its watery grave.
Travel Tips Getting there: From Chongqing, catch a morning coach from the east bus station to Pengshui (six hours, ¥90), then a taxi to the local ferry terminal for an upriver boat to Gongtan (five hours, ¥20).

Where to stay: There are several family-run guesthouses directly overlooking the Wu River with simple, creaky wood rooms wallpapered with old newspaper (¥30 per bed).

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China photographer Tom Carter is the author of CHINA: Portrait of a People , 888 snapshots of life and humanity from the 33 provinces of the People’s Republic of China, due out this winter from Hong Kong publisher Blacksmith Books.

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Purchase CHINA: Portrait of a People online
View the China portraits video on YouTube
Also check out Tom Carter's super-cool China postcards

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October 2, 2008

XANADU!!

Xanadu , China, by Thomas Carter

Xanadu, China, by Tom Carter

In the summer it is a scalding expanse of desert, in the spring verdant grassland; but in the winter, Inner Mongolia is a white kingdom few travelers, beyong the occasional Mongol nomad, brave to enter.

Indeed, the traditionally nomadic lifestyle of the native Mongolian reflects the region’s unforgiving climate. To quote the usually intrepid Lonely Planet guidebook chapter on Inner Mongolia, “…from December to March – forget it!”

Occupying 12% of China’s landmass in a majestic arching slope of over one million kilometers, Inner Mongolia borders 8 other Chinese provinces in addition to the colossal countries of Mongolia and Russia to the north.

Today, Mongolians make up only 17% of the provincial population. And while leather-skinned warriors on armored horseback may no longer pose a threat to the Chinese, the mainland is now seeing a second Mongolian invasion, this time in the form of sand.

The vast Gobi Desert, which already consumes Inner Mongolia’s northwestern border, is dramatically expanding at a rate of 10,000 square kilometers per year and is calculated to turn 40% of the People’s Republic into a veritable wasteland, evinced by the apocalyptic sandstorms from the north that assault Beijing during the summer months

But vacationers to Inner Mongolia (Nei Menggu in Putonghua) need not concern themselves with such things as environmental catastrophes, for in winter the gold sands of the Gobi slowly give way to white as frost slowly veils first the north and then the entire province.

Arriving in the Inner Mongolian capital of Hohhot (pronounced Ho huh ha ta), one finds that it truly is a “Blue City,” as its Mongolian name implies, but with a comparatively modern ambiance nonetheless.

The urban skyline falls behind the horizon as our journey via steam train progresses across the frozen plateau to the more rustic northeast. Following electrical lines from village to village, the train’s ice-trimmed windows reveal an otherwise barren countryside dotted with red brick homes stacked with chimneys continuously exhaling their coal smoke.

This is the pastoral life of Mongolian miners, farmers and shepherds hibernating for the winter, nary a sole outside save the occasional caravan of camels led through the snowy waste by men as furry and indistinguishable as their charge.

The flatlands give way to hills of white birch and sinuous rivers of blue ice. Veering north, the train then burrows into the Greater Khingan mountain range, which forms a natural provincial border separating Inner Mongolia from the plains of Manchuria to the east.

Passing frozen Hulan Hu, China’s fifth largest lake, and the Hulunbuir grasslands (now blanketed in snow), it comes as a pleasant shock to discover that the busiest land port of entry in the mainland is located here in the far reaches of Inner Mongolia. The Manzhouli crossroads, situated directly on the borders of China, Mongolia and Russia and the Trans-Siberian Railway, is a fascinating fusion of northeastern cultures.

Shops, hotels and restaurants are of distinct Russian personality and advertise in both Chinese and Russian script while the streets teem with rugged import-exporters and big blonde Russian tourists extravagantly attired in plush fur coats, pelt scarves and omnipresent ushanka hats.

But the final and most remote destination comes during the return trip south through tundra as vast as the sky above, the snowscape spotted with resilient brush, wind-swept fences and adobe villages of ice-glazed rooftops until…Xanadu, Kublai Khan’s summer palace.

While the name Xanadu invokes an air of mystery to those who have never been, there is in fact no “snow-white mares with sacred milk, rich and beautiful meadows” as observed by Marco Polo, nor Samuel Taylor Coleridge’s oft-cited “stately pleasure dome.”

Xanadu, otherwise known as Yuanshangdu, today is less an eternal world than a set of dilapidated stone walls and towers buried in centuries of dirt and weeds, leaving the fantasies of a romantic Mongolian city to be written by the opium-addled. China’s tourism bureau has all but deserted the ancient area for (literally) greener pastures, and, according to locals, it is a rare day when even one visitor can be found walking the venerable grounds during the winter months.

But the sheer desolation of Xanadu is exactly its attraction. Walking among 11th-century ruins mantled in dazzling whiteness, one is left completely alone to enjoy an untouched history and uncorrupted serenity that is otherwise not found in today’s China.

In the immortal words of disco queen Olivia Newton John, “Now we are in Xanadu!”

Tom Carter, a freelance writer and photographer from San Francisco, has lived in P.R.China the past two and a half years. He is currently backpacking through all 32 Chinese provinces.

Getting there

Daily flights from Hong Kong to Hohhot (connecting in Beijing), via Air China, Cathay Pacific and Dragon Air, 6 hours, 7000 HKD, round trip.

Daily trains from Hong Kong to Beijing, 24 hours, 800 HKD. From Beijing to Hohhot, 12 hours, 300 HKD

To reach the bordertown of Manzhouli, daily trains from Hohhot to Hailaer, approx 40 hours, 270 HKD for a sleeper. From Halaer to Manzhouli, via shuttle bus or express train, 3 hours.

There are no official tours or direct routes to Xanadu. From Hohhot or Hailaer, get off at Sangandali, and then take a shuttle bus to Zhenglanqi (simply called Lanqi by the locals). From Lanqi, a private taxi can be retained for approx. 100 HKD for a round trip to Yuanshangdu, 30 minutes away.

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Travel China Expert Tom Carter spent 2 years backpacking across the 33 provinces of China . He is the author of CHINA: Portrait of a People.

Purchase CHINA: Portrait of a People  online
View the portraits of Chinese video on YouTube
Also check out Tom Carter's super-cool postcards of China

Add Thomas Carter to your Facebook Tom Carter's Facebook profile

Jiuzhaigou - China’s Greatest National Park, by Thomas Carter

Jiuzhaigou, by Tom Carter

Autumn is perhaps China’s most precious season, a respite between sweltering summers and fatal winters. But it is only in the northern Sichuan highlands of Jiuzhaigou, China’s natural wonderland, where fall can be witnessed in blazing splendor.

Approaching Nine Villages Gully near the Gansu border, one may at first be daunted by the chaos of tour groups and ceaseless convoys of busses not unlike diesel prisons bullying their way through the crowds with deafening blasts of the horn. Be reassured, however, that anyone in a red hat following a flag and megaphone most certainly does not have the same itinerary as a more independent-minded visitor.

While Jiuzhaigou is a massive 720 square meters, you can feel the full force of the nature reserve on a two-day pass. Keep a keen eye out for the seldom-used paths veiled in vegetation located on the opposing side of the main thoroughfare in Zaru gully near the park’s entrance.

With the growl of the tour busses segueing into a score of birdsong and black exhaust becoming crisp breathable air, the nature reserve quietly proceeds into a Y-shaped canyon of virgin woodland that would make a ChongQing girl blush. Not unlike vertical forests, the verdant broadleaf palisades dripping with lichen and turning a muted crimson and gold for the coming fall ultimately dissolve into the heavens as one is led deeper into the forest.

Drinking in the damp sweetness, the dense woods of the Nuorilang gully are suddenly pierced by the region’s star attraction: prismatic lakes ranging in size from small to dragon-sized pools and covering a color spectrum of ice blue to fall apple green. Formed by glacial erosion and fed by underground springs, the phosphorescent phenomena is attributed to algae and mineral concentration, though a poet laureate might otherwise be inspired to write of the mint-blue waters as the mouthwash of the gods.

As dusk approaches, the park is promptly evacuated of all visitors. While most will return to the neon-lit tourist circus outside the entrance, the assiduous traveler can skirt the rules (and security guards) by staying the night with friendly locals living on the grounds. Home to the Qiang and Aba Tibetan minorities, the autonomous villages of Zechawa and Schuzheng in the park center, and the smaller Rexi and Heijia villages to the north, are themselves a cultural draw.

Dawn before the crowds is rather like an epiphany, gentle winds whispering through the lakeside reeds as revelations from nature herself. Readers with an affinity for tranquility may especially appreciate the walkways behind the seldom-traversed Swan and Grass lakes in Zangmalonghe gully, though the tranquil beauty of the area is in fact no secret at all; Jet Li’s ‘Hero’ was filmed at Arrow Bamboo Lake.

The teal twilight of the water then disappears into placid marshland before dramatically debuting into pearly shoals cascading in a series of multi-level falls so dazzling that any passerby might exclaim wosei! without even realizing.

The resonance of the cascade becomes a murmur as the voyeur descends from the rushing waters into vivid pastures of lavender, purple and yellow wildflower. Moving from Rize gully for the park’s exit gate, take a last breathe of JiuZhaiGou’s pristine autumn air.

TRAVEL TIPS

How to get there:
Connecting flights from Beijing/Shanghai-Chengdu-JiuZhaiGou airports for RMB 2420-3220
Where to stay:
The Sheraton is located 1.5km from the park entrance (from RMB 600-1,700 per night).
Where to eat:
Eat with the friendly locals living in Jiuzhaigou – Tibetan yak meat is a must try.
Where to play:
The nature reserve, of course! Two-day park passes cost RMB 220.
Extras:
At once subtropical and temperate, there are over 2000 endemic varieties of flora, including the stunningly obvious blue-green algae, vibrant rhododendron and orchid. Species of pine, maple, spruce and birch are especially spectacular in the autumn. JiuZhaiGou’s altitudinal range and rich vegetation directly contribute to the region’s unique animal life, with 140 species of birds and mammals such as deer, the elusive golden snub-nosed monkey and Ailuropoda Melanoleuca, known to most as the giant panda. An innately isolated creature requiring an undisturbed habitat, spotting a wild giant panda feeding in the park’s bamboo groves is difficult but not impossible for anyone choosing to walk instead of taking a tour bus.

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Travel China Expert Tom Carter spent 2 years backpacking across the 33 provinces of China . He is the author of CHINA: Portrait of a People.

Purchase CHINA: Portrait of a People  online
View the portraits of Chinese video on YouTube
Also check out Tom Carter's super-cool postcards of China

Add Thomas Carter to your Facebook Tom Carter's Facebook profile

October 2, 2008

Hainan Island, China

Hainan Island, China, by Tom Carter

Hainan Dao, China, by Tom Carter

It is interesting to note that while the island of Hainan in southwest China is the country’s number two holiday ravel destination (in between Jiuzhaigou National Park in Sichuan and Yunnan’s Lijiang), most foreign tourists and expats living in the People’s Republic have never even heard of Hainan Dao, let alone been there I used to be one of the guilty parties. Despite residing in China for an extended period of time, it was not until I began my epic travels across the country that I was introduced to what is in fact its smallest yet most exotic province.

Hainan’s most popular season is, of course, Spring Festival, when legions of mainlanders shuddering from sub-zero winter temperatures spend Chinese New Year on the invitingly temperate beaches of the tropica island.

Conversely, sweltering summers turn Hainan into a veritable Hades (reclusive sun worshipers take note: you will literally have the beach to yourselves). It is not surprising, then, that Hang Dynasty exiles were once banished to ‘The Edge of the Earth’ as fatal punishmentHainan island has made significant progress over the centuries, from remote settlement to popular tourist attraction by way of repeatedly falling in and out of control of neighboring provinces until at last being granted provincial status in 1988 (disputably along with some 200 surrounding South China Sea islands) and declared a Special Economic Zone to spur investment.

Resultingly, the colonial capital city of Haikou on the north end of the island has become its commercial center, brimming with transportation hubs, department stores and enough hotels to accommodate all of China (which it literally does during the holidays).

Those wishing to remove themselves from the urban commotion will find rustic serenity on the central coastline around Xiangshui Bay, the only traffic being farmers in coned hats and grazing cattle. There, crystal waters lap at the shores of a brilliant expanse of sugary sand, where one may sip on coconuts, feast on fresh seafood and lay undisturbed beneath the whispering palm trees.

For a more cultural experience, the lush Limuling mountain range in interior Hainan is home to the island’s reclusive indigenous peoples, most notably the Miao and the majority Li minority, a colorful ethnicity whose proud elders contine to embrace their traditional customs, native dress and intricate body and facial tattooing.

But it is Sanya, ‘the Hawaii of the Orient’that is the island’s headlining attraction. Developed along Hainan’s southerniphery, the bustling port city is framed by attractive beaches, a lively city center teaming with tourists gaudily attired in matching florescent beach wear, and a harbor congested with fishing vessels, the docks a blur of tangled netting, malodorous hauls of fish and salty dogs preparing for their next seafaring voyage.

Beyond the Sanya peninsula, Yalong Bay is a remarkable 7km stretch of white beach edged by a citadel of luxury hotels glowing in varying shades of pastel, their well-tended guests lounging poolside to the soothing sounds of Kenny G (on repeat), cocktail in hand.

No matter what your tastes - ridiculously overpriced or beach bum 1.5 billion people agree, Hainan Dao is the tropical escape everyone shohuld treat themselves to at least once during their stay in China.

Tom Carter, a freelance writer and photographer from San Francisco, has lived in PR China the past two and a half years. He is currently backpacking through all 32 Chinese provinces.

Transportation

Flights from Beijing to Haikou Airport, four times daily (four hours, 1,800 yuan)

Accommodation

The Treasure Island Hotel chain in Haikou, Xinglong and Sanya are popular with budget travelers desiring resort-style comfort at economy prices (Prices for a double range from 200 yuan in the off-season, up to 1,000 yuan during Spring Festival)

www.treasureisland-hotel.com

Regional cuisine

Seafood on Hainan is plentiful, so prices are some of China’s cheapest. roves of street vendors come out at dusk to grill a bounty of fresh fare, including various species of fish, clam, lobster, crab, squid and kelp. For desert, locals enjoy gnawing on sugarcane stalks or any of the abundant fruit. And, of course, coconut milk is an islander’s beverage of choice, chopped and chilled for only one yuan.

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Tom Carter is the author of ‘CHINA: Portrait of a People’ coming soon from Hong Kong publisher Blacksmith Books.

Purchase CHINA: Portrait of a People online
View the China portraits video on YouTube
Also check out Tom Carter's super-cool China postcards

Add Tom Carter to your Facebook Tom Carter's Facebook profile

October 2, 2008

Real China

Real China , by Tom Carter

Ningxia, China, by Tom Carter

Backpacker savant Tom Carter offers his top five “real” China destinations:

Shandong
Where Chinese civilization as we know it began, Shandong is a wealth of history and tradition. From the birthplaces of Sun Tzu and Confucius to sacred Tai Shan, this is Han culture at its most unadulterated.

Ningxia
The smallest and least touristed province, Ningxia is truly one of those places where travelers feel like the only yangren in China. Droves of unemployed workers on the street corners take unabashed fascination in watching you watch them.

Yunnan
This kaleidoscope of culture has the highest concentration of minority groups in all of China, whom appear to us not unlike resplendent yet elusive jungle birds in an effort to preserve their centuries-old customs.

Beijing
Compared to gleaming Shanghai and Hong Kong, we come to Beijing because of its venerable charm, not in spite of it. Amidst the commotion of hyper urbanization, the capital city’s remaining hutongs capture life exactly as it has been in China for a thousand years.

Tibet
China’s final frontier and spiritual Shangri-la. Lhasa might be destined to succumb to red-hat tourism, but journey to the far eastern or western regions, where nomadic shepherds, colorful pilgrims and remote monasteries have yet to encounter a foreign face.

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Tom Carter is the author of ‘CHINA: Portrait of a People’ coming soon from Hong Kong publisher Blacksmith Books.

Purchase CHINA: Portrait of a People online
View the China portraits video on YouTube
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October 2, 2008

Longji Titian, Guangxi

Longji Titian , Guangxi, by Tom Carter

Longji Titian, Guangxi, by Tom Carter

It is hard to imagine anywhere in the People’s Republic untouched by civil engineers, the levelers of history. But truly nowhere else in China has life remained perfectly intact - culturally and naturally - as on the Dragon’s Backbone in the rural villages of Longsheng county is southwest China.

While Guangxi Autonomous Region’s one-two punch of geological wonders are provincial sites that should not be missed - Guilin for the red hat-wearing Chinese tour groups and Yangshuo for Western backpackers - Longji Titian is an ideal place for those who cherish rural tranquility and solitude.

Indeed, to get to the Dragon’s Backbone one must ascend dizzying heights (the highest in southern China), and enter a mystical fog that removes everything travelers know about modern China, placing you in a time when people were one with the good earth.

No white tile buildings in sight, the pastoral villages, namely Dazai and Ping’an, are constructed entirely of two and three story wood cabins hugging the vertical mountainside, with spring water coursing through the town’s canals. It is here travelers will find accommodations at the simple family-run inns that make up the two settlements.

While one may consider Dazai and Ping’an, located respectively at the northern and southern ends of the peak, as lodging paradises, they are but mere entrances to the wonders ahead. Most visitors are content with the designated “viewpoints” around the towns’ terraced fields, but for the nimble hiker, continue on into the lush hillside. Follow a narrow path of mud and stone through a misty forest of venerable trees, dewy ferns and, yes, bubbling brooks.

The rice terraces, with sloping grades reaching 50 degrees, have been sculpted by generations of farmers beginning in the Yuan dynasty to shape the hillsides into grand agricultural pyramids not unlike those found in Guatemala or Mexico. The slopes are infinite in scope and, at an altitude of 1,100 meters, seem to have no bottom or peak. It is simply breathtaking.
The hillsides that have been left uncultivated are threaded with trickling water, channeled from nearby springs to saturate the plots below, and are dotted with tombs of generations upon generations of agrarians, like those you’ll see still working on the terraces.

Among them are the dark-skinned Zhaung, Bai and Yao minorities who, not unlike the Mayan Indians of Guatemala, are identifiable by the resplendence of their hand-woven traditional attire. While their men trudge through the muddy terraces sowing rice, the small women roam the paths like little florescent pink armies selling crafts and textiles kept in wicker baskets strapped on their backs. Their pierced earlobes hang with hoops of silver, and their hair, grown long since birth, is kept swathed on their heads. For a small sum though, they will happily undo their knot to show their hair cascading to the soil.

About 10 kilometers between Ping’an and Dazai is Zhongliu, a rustic village of arched stone bridges, dilapidated stables and stilted cottages symmetrically enclosed by terraces, crags and waterfalls. Hikers are approached by cheerful natives who do not hesitate to stop their plowing and ask “Chifan ma?” Their persistence to dine in their homes notwithstanding, what could be more refreshing after an exhausting morning navigating the mountain terrain than a spread of scented sticky rice baked in bamboo over an open fire, greens, salted meat and Longji tea or watery rice wine?

The undulating path continues on, with each bend revealing agricultural grandeurs and vistas of incomparable beauty. Late in the day, when the golden light of dusk illuminates the ribbon-like terraces, travelers encounter Longji’s rush hour traffic; farmers descending into the outlying villages with bushels of reeds and firewood slung over their shoulders, alongside the occasional oxen grazing in the path. That’s life on the misty mountaintop, where time has stood still for the past 700 hundred years.

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Tom Carter is the author of ‘CHINA: Portrait of a People’ coming soon from Hong Kong publisher Blacksmith Books.

Purchase CHINA: Portrait of a People online
View the China portraits video on YouTube
Also check out Tom Carter's super-cool China postcards

Add Tom Carter to your Facebook Tom Carter's Facebook profile